Krasnogruda - Numer 8

FORUM 
RAYMOND REHNICER: Multiple Identity and Borders within Human Mind 
KRZYSZTOF CZYŻEWSKI: The Atlantis Complex, or Central Europe after the End of the World 
ALEŠ DEBELJAK: After the Great Utopia: The Relevance of National Culture and the Challenge of Globalisation 
PIOTR PIOTROWSKI: Post-War Central Europe: Art, History and Geography 
TOMAS VENCLOVA: Native Realm Revisited: Mickiewiczs Lithuania and Mickiewicz in Lithuania 

re-mapping: BELGRADE 
BORKA PAVICEVIĆ: The Center for Cultural Decontamination: Re-mapping Landscape X 
MIRJANA MIOČINOVIĆ: Nominating CZKD for the Tolerance Award 
MILENA DRAGICEVIĆ-SESIĆ: Arts as Provocation 
IRINA SUBOTIĆ: My Lucky Star 
IRINA SUBOTIĆ: Skart 
IRINA SUBOTIĆ: Protest Aesthetisation and Protest Culture 

re-mapping: POZNAŃ 
There is a passion in us to snap at... Maria Blimels Conversation with the Creators of TEATR ÓSMEGO DNIA (The Eight Day Theatre) 
JAROMIR JEDLIŃSKI: Visual Investigations of Jarosław Kozłowski 

euralien: STOCKHOLM 
Theatre critic Henric Tiselius in the Middle of a Dialogue between CHRIS TORCH and GORAN STFANOVSKI 

euralien: SKOPJE 
TOMISLAV OSMANLI: The Boiling Pot Called Skopje. City of Missing Presences 
SUZANA MILEVSKA: One Story, Many Narrators. The Macedonian Contemporary Art between Tradition and Modernization 
SONJA ABADŽIEVA: Angels of Simon Šemov 
DUŠKO DIMITROVSKI: Anastasia. Macedonian Music Group 

euralien: SOFIA 
IRINA GENOVA: The Crossing of Modern Trends in the Balkan Countries between the Two World Wars: Modernism versus National Identity, National Identity within Modernism 
IVAN PANTELEEV: Chekhov Review 
Young Poets of a New Bulgaria: IVAN KRUSTEV, RUMEN LEONIDOV, VLADIMIR LEVCHEV 

euralien: VILNIUS 
ELONA BAJORINIENE: Theatre in Twilight 
TOMAS VENCLOVA: Poems 

euralien: WARSAWA 
Question about Soul. Krzysztof Czyżewskis Conversation with PIOTR CIEPLAK about Theatre, Life and Europe of the End of the XXth Century 

euralien: TALLINN 
KÜLLI PAULUS: Estonian Dramaturgy: a Moment on Stage 
ANTS JUSKE: Estonian Art in Times of Transition 
JAAN KAPLINSKI: Poems 
JAAN KAPLINSKI: From Harem to Brothel. Artists in the Post-Communist World 

euralien: RIGA 
SOFIJA VONDA: Riga Is on the Start 
GUNA ZELTINA: Young Directors: an Alternative Tension to Latvian Theatre 
What Do We Have in Common? A Discussion with Latvian Artists 

euralien: LJUBLJANA 
URŠULA CETINSKI: Others. The New Theatre in Slovenia 
Democracy Calls for Responsibility. Mojca Kumerdejs Conversation with MATJAŽ FARIČ 
EDA ČUFER: Nothing New in the East? 
JOZEF SKOLC: A Ministry not Alienated from Culture 
MITJA ROTOVNIK: Cankarjev Dom. Cultural and Congress Centre 

euralien: ZAGREB 
MARIN BLAŽEVIĆ: Croatian Theatre at the End of the 1990s: a New Generation on the Road to Conquest of the Centre Stage 

KOSOVO 
SHKELZEN MALIQI: Beyond. The New Art of Kosovo 
CHRISTOPHER MERRILL: Kosovo 

Café Europa 
MAGDA CARNECI: Poems 
CHRISTOPHER MERRILL: Poems 
ALEŠ DEBELJAK: Poems 
ZBIGNIEW MACHEJ: Poems 
MARZANNA BOGUMIŁA KIELAR: Poems 
KRZYSZTOF CZYŻEWSKI: The Temptation of a Poet